The world premiere of Chris Bond’s biographical musical of Lionel Bart’s life using the composer’s own songs to tell the tale is lovingly directed by Bob Carlton. The super-strong cast share his vision, bringing out the warmth and charm of the man who only wanted to be loved, yet lived the high life and the low life. He was also a good friend to the financially struggling Queen’s in 1999.

It is sentimental but then so were Bart’s songs and music. It’s also packed full of dynamic energy and attack from cast and musicians, directed on stage by David Barber. Mark Walters’ excellent set is the red plush interior and stage of Theatre Royal Stratford.

Matt Devitt has a whale of a time as Lionel. With the cheeky grin of a grubby, bullied schoolboy, the swagger of the successful composer, and subsequent drink problem and bad life choices.

Diana Croft takes no prisoners as Joan Littlewood reigning over Theatre Workshop, giving critics merry hell. Allison Harding is Lionel’s formidable mother.

Philip Reed gives a tender performance as transvestite Charlene singing As Long As He Needs Me to pin you back in your seat. James Earl Adair glitters evilly as various villains. Richard Brightiff gives richly camp performances.

Strange seeing ‘history’ recreated when it’s simply your youth (from Livin’ Doll onwards). I delighted in the in-jokes but the packed audience just loved the show.

It is thoroughly enjoyable with a high feelgood quotient. Will anyone pick it up for the West End?

Mary Redman

The Stage - 1st September 2006

2002 - 2007 http://www.return-to-the-forbidden-planet.co.uk